Big Orange Monster: A Tool to Survival and Self-Care at a time of Rising Authoritarianism; a Warrior to Fight Against the Big Orange Monsters of the World; and a Reminder to Hug Yourself in Difficult Times by Ric Kasini Kadour14″x11″; collage on watercolor...
After Eggleston: 37. peanut fields near Friendship by Ric Kasini Kadour8″x10.75″; collage on the catalogue for “William Eggleston: Election Eve” at The Corcoran Gallery of Art in Washington, DC, 10 December 1977-22 January 1978; 2024....
This essay appears in the catalog Henry Isaacs: New Works for an exhibition at Maine Art Shows, August 9-September 1, 2014. The New Landscape: A History For much of art history, when the artist painted the land, he did so only as a backdrop, as context, rarely as...
This essay appears in the catalog Philip Frey: New Works for an exhibition at Maine Art Shows, June 27-July 16, 2015. Philip Frey: Lavish Attention The respect for and service to the viewer is, perhaps, one the best attributes of Frey’s paintings. “I am a student of...
On October 10, 2014, Hyperallergic published Ric Kasini Kadour’s essay, “I Don’t Care About David Byrne Anymore?” in response to Mr. Byrne’s blog post, “I Don’t Care About Contemporary Art Anymore?” I Don’t Care...
