AFTER EGGLESTON

“Had I known before I started collaging that the catalog was selling on the secondary market for over $250, would I have been as enthusiastic to cut into it? Maybe, but I’d like to think not.”

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ARTWORKS & PROJECTS

Nosy Bird Man

Collage, 2025

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The collage, That Summer with the Boys, appears on the cover of LBRNTH Issue 3. Other work from the “That Summer…” series appears in the publication. READ MORE

Pulse

At SPACE Gallery in Burlington, Vermont. READ MORE

New Mexico

What I learned is that there is not one New Mexico; there are two million of them, each a complicated negotiation of facts and fictions, ancestral traumas and present day circumstances; fluid, everchanging; and as real and valid as the sun hitting your face.” 

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ABOUT

Ric Kasini Kadour (b. 1974) is an artist, writer, and cultural worker. Primarily a conceptual artist, he executes projects across a variety of media: photography, collage, painting, and installation. In addition to his artist practice, he is the director of Kolaj Institute and the editor of Kolaj Magazine. Kadour lives and works in Montreal, Quebec and New Orleans, Louisiana. READ MORE

SLIDESHOW & TALK

Pictures at the Intersection of Photography & Collage

10 May 2025 at the New Orleans Photo Alliance.  LEARN MORE 

The Kings Wander Beyond the Castle Walls and The Kings Find Other Wandering Kings were included in the “Lavender & Green Carnation” exhibition, 18 January to 15 March 2025, at the Jazz Gallery Center for the Arts in Milwaukee, Wisconsin, USA. Curated by Seth Ter Haar, the exhibition “delves into the rich history and enduring significance of symbols that have quietly connected and empowered the LGBTQ+ community, especially during periods of societal or political repression.” READ MORE

And felt like dust in space

From “I Took A Trip To The Unknown LanguageREAD MORE

The Archaeology of Rubbish

Exhibited in “Many Americas: Art Meets History” at the Wilson Museum of the Southern Vermont Arts Center READ MORE

Ozymandias

Ozymandias is a collection of eight analogue collages that use the last Bank of England one pound note (issued in 1984) and a Percy Bysshe Shelley poem to meditate on the hubris of empire and late-stage capitalism. READ MORE

 

All My Knowledge Lives In a Box

from Clouds :: Knowledge. READ MORE