{"id":756,"date":"2017-11-28T20:39:01","date_gmt":"2017-11-29T01:39:01","guid":{"rendered":"http:\/\/rickasinikadour.com\/main\/?p=756"},"modified":"2017-12-01T01:51:34","modified_gmt":"2017-12-01T06:51:34","slug":"the-veneration-of-ruskin","status":"publish","type":"post","link":"http:\/\/rickasinikadour.com\/main\/art\/the-veneration-of-ruskin","title":{"rendered":"The Veneration of Ruskin"},"content":{"rendered":"

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“The Veneration of Ruskin” celebrates the 19th century art critic John Ruskin. The 200th anniversary of his birth will take place in 2019. The project draws on Kadour’s interest in apotheosis, altar making, and still life paintings. The series of eleven collages cannibalize Ruskin\u2019s drawings and Dutch flower paintings. Accompanying the collages is an altar to Ruskin that features a fabric tapestry and a table of objects and flowers designed to evoke the still lifes used in the collage. In addition to an exhibition, the project is manifested in a zine and a catalog that reproduces the eleven collages and the source works Kadour used to make them.<\/p>\n

In the catalog essay, Kadour explains that he selected Ruskin because of a personal affinity with the writer and artist, because of his vision of the role of art in society, and because he was “moved by Ruskin\u2019s sadness, the self-torment, and his beautiful mind to venerate him with flowers.”<\/p>\n

Kadour works conceptually and manifests concepts in prints, photographs, and small sculptures designed to be exhibited in installation. The project continues Kadour’s exploration of influences that began in 2012 after the death of his grandmothers. In the project, “Twelve Days of Christmas Gifts for Yoko Ono<\/a>,” each day from December 25th, 2012 to Epiphany on January 6th, 2013, Kadour made a “Christmas gift” for Yoko Ono, gifts for grandmothers who were no longer there, inspired by a cultural grandmother. The objects varied from prints to small sculptures to a collection of Edo-period Japanese poetry to performative acts. Each “gift” was documented and images and the instructions were shared online and through social media and later as a book. The project also continues Kadour’s work using altar making as an expression of contemporary art. The series \u201cMy Junk Taste Like Flowers<\/a>\u201d is both a documentation of objects and an expression of joy about them. This series is photographs of sculptures made with “junk” which are venerated with flowers. Kadour writes, “Arranging my junk was like restacking and reordering memories. The whole was other than the sum of its parts.”<\/p>\n

In “The Veneration of Ruskin,” the collages serve as secular version of the Stations of the Cross leading the viewer to an artistic altar. The purpose of this is rooted in an understanding of Modernism that relocates the divine to the individual. Kadour cites a deep human need to apotheosize heros, something that is increasingly difficult to do in our society. While Kadour is interested in expressing veneration for a personal hero, the purpose of the exhibition is to model behavior and encourage the viewer to ask of themselves: Who would they venerate and how?<\/p>\n

MANIFESTATION<\/h1>\n

Installation
\nShrine to Ruskin<\/em><\/h2>\n

Shrine to Ruskin<\/em> is a variable installation of a fabric tapestry, found and plaster objects, and silk flowers on a raised surface. The objects and flowers are intended to evoke the still lifes used in the collage. About Altar Making<\/a><\/p>\n

Prints
\nVeneration of Ruskin Collages<\/h2>\n\n\t\t