{"id":519,"date":"2014-10-06T01:05:35","date_gmt":"2014-10-06T05:05:35","guid":{"rendered":"http:\/\/rickasinikadour.com\/main\/?p=519"},"modified":"2014-10-14T22:08:23","modified_gmt":"2014-10-15T02:08:23","slug":"duncan-johnson-reaching-across-history","status":"publish","type":"post","link":"http:\/\/rickasinikadour.com\/main\/writing\/duncan-johnson-reaching-across-history","title":{"rendered":"Duncan Johnson: Reaching Across History"},"content":{"rendered":"

\"model-shop-by-duncan-johnson\"<\/p>\n

Ric Kasini Kadour\u2019s essay, \u201cDuncan Johnson: Reaching Across History\u201d, is published in the catalog <\/em>Duncan Johnson which accompanies the August 16-October 31, 2014 exhibition \u201cStone. Glass. Wood.\u201d at the West Branch Gallery & Sculpture Park. In the essay, Kadour examines how Johnson’s use of material weaves multiple histories into a single work.<\/em><\/p>\n

\n

\"Duncan-Johnson-Cover\"Duncan Johnson: Reaching Across History<\/h2>\n

By Ric Kasini Kadour<\/p>\n

Every work of art poses some basic questions to the viewer. What is it? What does it show? Who made it? Why did the artist make it? And some art\u2014that art which is more complex, perhaps more sophisticated, or simply difficult to look at or understand\u2014raises other questions. Where does the art fit into the broader visual landscape? How is the artwork related to the larger narrative of art history? One doesn\u2019t need to answer all of these questions to enjoy a work of art or even to understand and appreciate it, but asking these questions can make art a deeper, more meaningful experience.<\/p><\/blockquote>\n

READ FULL ESSAY ONLINE<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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