[et_pb_section fb_built=”1″ admin_label=”ROW ONE ART” _builder_version=”4.27.4″ _module_preset=”default” collapsed=”off” global_colors_info=”{}”][et_pb_row admin_label=”New Forms of Subjectivity” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”NEW FORMS OF SUBJECTIVITY ON VIEW IN BELGIUM” admin_label=”Heading” _builder_version=”4.27.4″ _module_preset=”default” title_letter_spacing=”3px” title_line_height=”1.5em” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”http:\/\/rickasinikadour.com\/main\/wp-content\/uploads\/new-forms-of-subjectivity-v.jpg” title_text=”new-forms-of-subjectivity-v” admin_label=”New Forms of Subjectivity Image” _builder_version=”4.27.6″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][et_pb_text admin_label=”New Forms of Subjectivity TEXT” _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”20px” text_line_height=”1.8em” link_option_url=”https:\/\/rickasinikadour.com\/main\/art\/film-screenings-montreal” global_colors_info=”{}”]<\/p>\n
\u201cNew Forms of Subjectivity\u201d is a small series of collages that asks, \u201cWhat new restrictions\u2014healthy, supportive, positive restrictions\u2014might emerge if we collectively pursue the liberation of our selves and others?\u201d The series is included in an exhibition in Waregem, Belgium that is organized by Coupee Collage Collective in April and May 2026.<\/p>\n
READ MORE<\/strong><\/a><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”divider” _builder_version=”4.27.4″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”after eggleston” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”AFTER EGGLESTON” admin_label=”Heading” _builder_version=”4.27.4″ _module_preset=”default” title_letter_spacing=”3px” title_line_height=”1.5em” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”http:\/\/rickasinikadour.com\/main\/wp-content\/uploads\/Peanut-Fields-near-Friendship-After-Eggleston-2024-06-14-A.jpg” title_text=”Peanut-Fields-near-Friendship-After-Eggleston-2024-06-14-A” align=”center” admin_label=”AFTER EGGLESTON Image” _builder_version=”4.27.4″ _module_preset=”default” box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”AFTER EGGLESTON TEXT” _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”25px” text_line_height=”1.8em” global_colors_info=”{}”]<\/p>\n “Had I known before I started collaging that the catalog was selling on the secondary market for over $250, would I have been as enthusiastic to cut into it? Maybe, but I\u2019d like to think not.”<\/em><\/p>\n READ MORE<\/a><\/strong><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”ADDITIONAL ARTWORKS” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”20px||5px||false|false” global_colors_info=”{}”][\/et_pb_divider][et_pb_heading title=”ARTWORKS & PROJECTS ” _builder_version=”4.27.4″ _module_preset=”default” title_letter_spacing=”3px” title_line_height=”1.5em” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][et_pb_column type=”1_3″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”http:\/\/rickasinikadour.com\/main\/wp-content\/uploads\/Ric-Kasini-Kadour-Niqab-2026-03-10E.jpg” title_text=”Ric-Kasini-Kadour-Niqab-2026-03-10E” admin_label=”Niqab image” _builder_version=”4.27.6″ _module_preset=”default” custom_margin=”||||false|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][et_pb_text admin_label=”Niqab Text” _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”16px” text_line_height=”1.8em” global_colors_info=”{}”]<\/p>\n Collage, 2026<\/p>\n READ MORE<\/a><\/p>\n [\/et_pb_text][et_pb_image src=”http:\/\/rickasinikadour.com\/main\/wp-content\/uploads\/2025-05-21-B-Nosy-Bird-Man-web.jpg” title_text=”2025-05-21-B-Nosy-Bird-Man-web” admin_label=”Nosy Bird Man Image” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”Nosy Bird Man Text” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Collage, 2025<\/p>\n MORE<\/a><\/p>\n [\/et_pb_text][et_pb_image src=”http:\/\/rickasinikadour.com\/main\/wp-content\/uploads\/Ric-Kasini-Kadour-That-Summer-With-the-Boys.jpg” title_text=”Ric-Kasini-Kadour-That-Summer-With-the-Boys” admin_label=”THAT SUMMER Image” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”THAT SUMMER Text” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n The collage, That Summer with the Boys<\/em>, appears on the cover of\u00a0LBRNTH<\/a>\u00a0Issue 3. Other work from the \u201cThat Summer\u2026\u201d series appears in the publication. READ MORE<\/a><\/p>\n [\/et_pb_text][et_pb_image src=”http:\/\/rickasinikadour.com\/main\/wp-content\/uploads\/Sanquhar-Still-Life-Part-Two.jpg” title_text=”Sanquhar Still Life” admin_label=”Sanquhar Still Life Image” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”Sanquhar Still Life Text” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n dimensions variable; installation of six decoupaged objects, two paper sculptures, and t-shirt fabric<\/span><\/p>\n [\/et_pb_text][et_pb_image src=”http:\/\/rickasinikadour.com\/main\/wp-content\/uploads\/2013\/10\/All-Objects.jpg” title_text=”All-Objects” admin_label=”yoko Image” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”yoko Text” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n READ MORE<\/a><\/a><\/p>\n [\/et_pb_text][et_pb_image src=”http:\/\/rickasinikadour.com\/main\/wp-content\/uploads\/pulse-1.jpg” title_text=”All My Knowledge Lives In a Box” admin_label=”pulse image” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”pulse Text” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n At SPACE Gallery in Burlington, Vermont. READ MORE<\/a><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”http:\/\/rickasinikadour.com\/main\/wp-content\/uploads\/Ric-Kasini-Kadour-Las-Cruces-to-Carlsbad-web.jpg” title_text=”Ric-Kasini-Kadour-Las-Cruces-to-Carlsbad-web” admin_label=”New Mexico-Las Cruces to Carlsbad image” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”New Mexico Text” _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”16px” text_line_height=”1.8em” global_colors_info=”{}”]<\/p>\n “What I learned is that there is not one New Mexico; there are two million of them, each a complicated negotiation of facts and fictions, ancestral traumas and present day circumstances; fluid, everchanging; and as real and valid as the sun hitting your face.”\u00a0<\/em><\/p>\n READ MORE<\/a><\/p>\n [\/et_pb_text][et_pb_image src=”http:\/\/rickasinikadour.com\/main\/wp-content\/uploads\/film-posters-montreal.jpg” title_text=”film-posters-montreal” admin_label=”FILM SCREENING Image” _builder_version=”4.27.4″ _module_preset=”default” box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”FILM SCREENING TEXT” _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”16px” text_line_height=”1.8em” link_option_url=”https:\/\/rickasinikadour.com\/main\/art\/film-screenings-montreal” global_colors_info=”{}”]<\/p>\n Montreal, October 2025 at Cin\u00e9ma Public.<\/p>\n READ MORE<\/a><\/p>\n [\/et_pb_text][et_pb_text admin_label=”bio Text” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Ric Kasini Kadour<\/strong> (b. 1974) is an artist, writer, filmmaker, and cultural worker. Primarily a conceptual artist, he executes projects across a variety of media: photography, collage, painting, and installation. In addition to his artist practice, he is the director of Kolaj Institute and the editor of Kolaj Magazine<\/em>. Kadour lives and works in Montreal, Quebec and New Orleans, Louisiana. READ MORE<\/a><\/span><\/p>\n [\/et_pb_text][et_pb_image src=”http:\/\/rickasinikadour.com\/main\/wp-content\/uploads\/Pictures-at-the-Intersection.jpg” title_text=”Pictures-at-the-Intersection” url=”https:\/\/www.eventbrite.com\/e\/pictures-at-the-intersection-of-photography-collage-tickets-1342806864479″ url_new_window=”on” admin_label=”PICTURES AT THE INTERSECTION Image” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”PICTURES AT THE INTERSECTION Text” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n SLIDESHOW & TALK<\/p>\n 10 May 2025 at the New Orleans Photo Alliance.\u00a0 LEARN MORE\u00a0<\/a><\/strong><\/p>\n [\/et_pb_text][et_pb_image src=”http:\/\/rickasinikadour.com\/main\/wp-content\/uploads\/2025-01-09-B.jpg” title_text=”2025-01-09-B” admin_label=”Wandering Kings Image” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”Wandering Kings Text” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n EXHIBITION<\/p>\n The Kings Wander Beyond the Castle Walls<\/em> and The Kings Find Other Wandering Kings<\/em> were included in the “Lavender & Green Carnation” exhibition, 18 January to 15 March 2025, at the Jazz Gallery Center for the Arts in Milwaukee, Wisconsin, USA. Curated by Seth Ter Haar, the exhibition “delves into the rich history and enduring significance of symbols that have quietly connected and empowered the LGBTQ+ community, especially during periods of societal or political repression.” READ MORE<\/a><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”http:\/\/rickasinikadour.com\/main\/wp-content\/uploads\/Ric-Kasini-Kadour-Big-Orange-Monster-1.jpg” title_text=”Ric-Kasini-Kadour-Big-Orange-Monster-1″ align=”center” admin_label=”BIG ORANGE MONSTER Image” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”BIG ORANGE MONSTERText” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” global_colors_info=”{}”]<\/p>\n “Monsters are about our basic instincts, those deeply rooted ways of thinking about and being in the world. Monsters are primal and they bring out the primal in us. Monsters can make us monsters if we let them.”<\/em> READ MORE<\/a><\/p>\n [\/et_pb_text][et_pb_image src=”http:\/\/rickasinikadour.com\/main\/wp-content\/uploads\/Ric-Kasini-Kadour-And-felt-like-dust-in-space-2023-09-14-A.jpg” title_text=”And felt like dust in space” align=”center” admin_label=”unknown language Image” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”unknown language Text” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” global_colors_info=”{}”]<\/p>\n From “I Took A Trip To The Unknown Language<\/span>” READ MORE<\/a><\/p>\n [\/et_pb_text][et_pb_image src=”http:\/\/rickasinikadour.com\/main\/wp-content\/uploads\/rubbish.jpg” title_text=”rubbish” align=”center” admin_label=”Archeology of Rubbish Image” _builder_version=”4.19.2″ _module_preset=”default” background_color=”#FFFFFF” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”archeology Text” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” global_colors_info=”{}”]<\/p>\n Exhibited in “Many Americas: Art Meets History” at the Wilson Museum of the Southern Vermont Arts Center READ MORE<\/a><\/span><\/p>\n [\/et_pb_text][et_pb_image src=”http:\/\/rickasinikadour.com\/main\/wp-content\/uploads\/Ozymandias-1.jpg” title_text=”Ozymandias-1″ align=”center” admin_label=”Ozymandias Image” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”Ozymandias Text” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” global_colors_info=”{}”]<\/p>\n Ozymandias<\/em> is a collection of eight analogue collages that use the last Bank of England one pound note (issued in 1984) and a Percy Bysshe Shelley poem to meditate on the hubris of empire and late-stage capitalism. READ MORE<\/a><\/span><\/p>\n <\/p>\n [\/et_pb_text][et_pb_image src=”http:\/\/rickasinikadour.com\/main\/wp-content\/uploads\/all-my-knowledge.jpg” title_text=”All My Knowledge Lives In a Box” admin_label=”cloud image” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”cloud Text” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\nNiqab<\/h2>\n
Nosy Bird Man<\/h2>\n
That Summer with the Boys<\/em><\/h2>\n
Sanquhar Still Life (2020)<\/em><\/h2>\n
Twelve Days of Christmas Gifts for Yoko Ono<\/em><\/h2>\n
Pulse<\/em><\/h2>\n
New Mexico<\/h2>\n
FILM SCREENING<\/h2>\n
ABOUT<\/strong><\/span><\/h1>\n
Pictures at the Intersection of Photography & Collage<\/h2>\n
Wandering Kings<\/h2>\n
Big Orange Monster Origin Story<\/em><\/h2>\n
And felt like dust in space<\/em><\/h2>\n
The Archaeology of Rubbish<\/em><\/h2>\n
Ozymandias<\/em><\/h2>\n
All My Knowledge Lives In a Box<\/em><\/h2>\n